The Next Day (Deluxe Edition)

Deluxe digipak edition includes three bonus tracks. 2013 album from the legendary Rock chameleon, his first studio album in ten years and his 30th studio recording. The album was produced by long-term collaborator Tony Visconti and was recorded in New York. In recent years, radio silence has been broken only by endless speculation, rumor and wishful thinking. A new record: who would have ever thought it? After all, David is the kind of artist who writes and performs what he wants when he wants: when he has something to say as opposed to something to sell. Today, he definitely has something to say. Throwing shadows and avoiding the industry treadmill is very David Bowie despite his extraordinary track record that includes album sales in exc...

• BOWIE DAVID THE NEXT DAY (DELUXE)

This Album-Oriented Rock (AOR) give to us some advantages, like this :
1. ...art...
I can totally understand how some people would not take to this album right off the bat. It is not "Pop". It is clearly not meant to be disposable, like so much of the top 40 stuff. This album is filled with layers. It is like a great painting that shows you something new each time you look at it. Its not like a billboard that you are meant to look at once, totally understand, then wait for it to be changed next week. For me, this album has all of the finesse and charm and grit of Bowie's career. It takes the listener on a journey. It uses lyrics to entice the listener to bring part of his or her life to the moment and then wraps it in the richness of the musical arrangement. Personally, I enjoy the mystery of this album. Sure, I listen to Pop stuff too, but it all fades so fast and becomes forgettable. I feel that this album will linger and be savored by those who are willing to dive in and enjoy it.

2. Here He Is: The Next David
Finally, at long last, Bowie fans can say this sentence and actually mean it: "This is his best work since Scary Monsters." I'm talking of course about The Next Day, David's first album in ten years.

Of course, some fans will balk at such a statement. What about Outside (1995)? Or Heathen (2002)? It's true that those are notable later period Bowie releases. Outside is a criminally underappreciated work, just overflowing with moments of madcap brilliance, and Heathen is a smart consolidation of many of David's strengths as a pop songwriter. But even acknowledging that Outside is willfully difficult, it needs trimming. Its length and jumbled nature ensured that only the most die-hard of fans would come to recognize its merits. And Heathen is a nice showcase of his music at its most pretty and good-humored, but it lacks the passion and drama of Bowie at his most inspired. Not to mention the cynicism that colors his best work, from Space Oddity to Scary Monsters, has been in...

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s.t said it best
After reading s.t.'s review, I am not sure I can add in any way to what was written. His review was remarkably thorough.

That said, I originally debated between 4 and 5 stars for this album. My dilemma was simple: "Do I compare this album with David Bowie's past classics?" No, I think that would be a little unfair. Music has changed and so has Bowie. Rather, I believe it is best to compare the album with the music that is current or at least music from the last ten years. Comparing this to "current" rock albums, the genre it mostly aligns, this is a five star album.

Granted it is not an album for everyone. Still no album is. I give little credence to those who criticize this album for not being like today's "pop". Bowie's music is not "pop" nor is trying to be. Those in tuned to music mainstream will likely be disappointed.

Musically its style is often discordant with heavy guitar riffs, orchestral swills, and drum and bass beats. At times it takes...
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